January 15, 2021 at 8:15 AM (PT)
- APPLE's SHAZAM has released a new playlist of 50 songs from five up-and-coming artists to watch in 2021, MASKED WOLF, BLACKSTARKIDS, SERENA ISIOMA, TAI VERDES, and LB SPIFFY. This playlist was created based on SHAZAM’s data and algorithms, from its 200 million users and hand-selected by Apple Music’s global editorial team. These emerging artists are a diverse group from around the world and representing different genres.MASKED WOLF
This rising hip-hop artist from SYDNEY, AUSTRALIA, first entered SHAZAM’s emerging artists lists back in JANUARY 2019. His track “Astronaut in the Ocean” has reached APPLE MUSIC’s overall top 20 in 5 territories, overall top 100 in 13 additional territories, and top 100 Hip-Hop charts in 51 territories.BLACKSTARKIDS
This young trio from KANSAS CITY started trending on SHAZAM in SEPTEMBER 2020 and is already helping to redefine the contemporary band, mixing elements of indie and hip-hop with a mix of contemporary lyrics and nostalgic analog pop music. Their song “Acting Normal” has appeared on APPLE MUSIC’s New Music Daily playlist and is getting worldwide exposure. Most of their APPLE MUSIC plays are in the US; the trio is gaining some following in RUSSIA, JAPAN, the UK, and CHINA.SERENA ISIOMA
This NIGERIAN-AMERICAN singer/songwriter based in CHICAGO started showing promising growth signs on SHAZAM in NOVEMBER 2020. Serena mixes funk, indie, pop, and R&B, lush 70s-inspired soul with contemporary soundscapes, and her track “King” has been featured on APPLE MUSIC’s New Music Daily, Today’s Indie Rock, as well as the INDIY playlists. While SERENA’s biggest market is the US, she has also gained a following in CANADA, the UK, AUSTRALIA, and JAPAN.TAI VERDES
This eclectic indie-pop artist based in L.A. started gaining some momentum on SHAZAM in JULY 2020. His breakthrough single “Stuck in the Middle” is currently featured on APPLE MUSIC's Alt-Pop, ALT CTRL playlists, and its top 10 on Rock and Alternative genre charts in the US, CANADA, and NEW ZEALAND. TAI VERDES’ most significant markets are the US and CANADA, the UK, AUSTRALIA, and SOUTH AFRICA.LB SPIFFY
This teenage rapper from TORONTO first entered SHAZAM’s emerging artists lists in 2017. Known for his distinct melodious style, LB SPIFFY has collaborated with BANKROL HAYDEN and received co-signs from DRAKE and KYLIE JENNER. “Again” has been featured on APPLE MUSIC's playlists Rap Life, Today’s Hits, and It’s Lit! The song peaked at No. 12 on APPLE MUSIC’s Hip-Hop chart in CANADA, and the rapper’s top markets are CANADA, the US, and the UK.The Shazam Predictions 2021 playlist is available on APPLE MUSIC worldwide at the apple.co/ShazamPredictions2021
Shazam | ||||
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Studio album by | ||||
Released | February 1970 | |||
Studio | Advision Sound Studios, London | |||
Genre | Freakbeat, hard rock, psychedelic rock, progressive rock, psychedelic pop, pop rock | |||
Length | 39:13 | |||
Label | Regal Zonophone (UK), A&M (US | |||
Producer |
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The Move chronology | ||||
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Artist Biography. An old soul with a livewire mind, Kid Cudi is hip-hop’s patron saint of misfits and outsiders. The Cleveland native—born Scott Ramon Seguro Mescudi in 1984—came up fueled by the trials he'd faced early on. After he was expelled from high school, he moved to New York with dreams of becoming a successful rapper. See your Shazams and Follow artists. Log in with Facebook or Email. Shazam – Get Verified and Access Your Shazam for Artists Account By MrSteJ 19th July 2018 6 mins read If you’ve ever used Shazam to find out what music is playing around you, you might be interested to know it has its very own set of tools for Artists similar to Spotify and Apple’s.
Shazam is the second studio album by English rock band the Move, released in February 1970 by Regal Zonophone. The LP marked a bridge between the band's quirky late '60s pop singles and the progressive, long-form style of Roy Wood's next project, the Electric Light Orchestra. It was the last Move album to feature the group's original lead vocalist, Carl Wayne.
Background and release[edit]
While drummer Bev Bevan regards this as his favorite Move album, Wood's memories were more bittersweet, likely due to 1969 having been a year of up-and-downs for the band. The 'Blackberry Way' single hit No. 1 in the UK to open the year, bassist Trevor Burton quit shortly thereafter and replaced by Rick Price, and the February 1969 American tour was cancelled because of this. It later transpired that a couple of the tracks featured Burton playing bass rather than Price. When the tour did finally happen later that year, it was a financial failure and a logistical farce—due to shoddy planning, the band was forced to race across the country by car (and a U-Haul trailer) to make very few dates. During this time, the relationship between Wood and Wayne - who had always had different personalities and temperaments - was being severely tested.
The two dynamic creative forces in the band were frequently at odds with one another over style and content—Wood reckoned The Move had gone as far as it could go, short of breaking through in America, and wanted to launch a new strings-and-rock project with Jeff Lynne, which would become The Electric Light Orchestra. Wayne, however, still saw potential in the band and wanted to return to their roots with short sharp tracks, even attempting to persuade the others to allow Burton and original bassist Ace Kefford back in the band while Wood would focus on his new ELO project and continue to write songs for The Move, but Price, Wood and Bevan rejected his suggestion.
Returning to the cabaret circuit after the debacle in the United States was the last straw for Wood. One night, in Sheffield in January 1970, he infamously threw a glass at a mouthy cabaret patron who'd called him 'a poofta.' Wayne angrily blew up at him backstage, and the original Move was all but finished. Wayne quit the band, just before Shazam was released, and was replaced by Jeff Lynne who, having previously rejected Wood's first invitation to join The Move because he wanted to stay with The Idle Race, agreed to join on the condition that they retire The Move and focus full-time on ELO.
The album was not a commercial success in the UK. The hit single 'Brontosaurus' debuted a fortnight after Shazam hit the stores, and was the first recording to feature Lynne. In the US, when it debuted on A&M Records, the heavy feel, tight harmonies, and extended solos made it a cult favorite and the record that introduced most American fans to the band. It also proved to be a stylistic template for successful 1970s bands, such as Cheap Trick and Kiss.
Musical content[edit]
Shazam Artists
Shazam was essentially the Move's 1969 stage act captured on record. A mixture of California psychedelia, heavy metal riffs, thundering drums, and interpolations from classic composers, the album was generally praised by critics--Rolling Stone gave a glowing review in the spring of its release year—and is generally regarded as the band's best LP.
The band had spent most of 1969 on the cabaret circuit in England, much to the delight of lead singer/crooner Wayne and to the chagrin of guitarist/composer Roy Wood. When the group finally toured the United States in the autumn for the sole time in their career, they loosened up their performance and played at a louder volume.
Shazam is a classic example of one side of originals and another of covers, typifying a band wrestling with split musical directions. Wayne, who picked some of the songs on Side 2, delivers tender ballads (Wood's 'Beautiful Daughter') and serves as a compère on spoken-word tracks between the songs (a similar vox-pop feature was included on a Bonzo Dog Doo-Dah Band album). 'Beautiful Daughter' was under consideration for release as a single, the follow-up to 'Curly', in 1970, but cancelled due to Wayne's departure just as the album was released.
Tracks like 'Hello Susie' and 'Don't Make My Baby Blue” meanwhile lets loose with distorted riffs and drum fills. 'Hello Susie' had previously been a hit for Amen Corner, though their faster, more pop-oriented version was markedly different from the Move's heavy metal treatment. 'Cherry Blossom Clinic Revisited' was a variation on 'Cherry Blossom Clinic', a track from the group's debut album, taken at a slower pace, the first verse diffidently spoken by Wayne, recorded without any strings or brass, and interpolating a medley of classical tunes including works by Bach and Tchaikovsky, played on guitars.
Critical reception[edit]
Review scores | |
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Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | B–[2] |
Shazam Artist Login
How to clean my phone storage. Reviewing for The Village Voice in 1970, Robert Christgau said the album is 'compelling when played loud' but also 'full of annoying distractions, musical and otherwise.' He described it as 'overtly self-conscious' 'stupid-rock' and facetiously recommended it to 'Stooges fans who have just found a $5 bill.'[3]John Mendelsohn of Rolling Stone gave the album a positive review, ending with a plea 'Do what you can to prevent this from being the last Move album.. ..The Move must be kept going to give us more albums like this one'.[4] In a retrospective review, AllMusic editor Stephen Thomas Erlewine said the 'short-yet-sprawling' album reflected the band's growth into a 'muscular and weirder' group. Erlewine said that, although the variety of musical ideas may be 'intimidating' to listeners, the album 'rewards' repeated listens 'many times over' and is 'wildly inventive music', as the Move 'may never have been better than they are here'.[5]
Track listing[edit]
All songs written by Roy Wood unless noted.
No. | Title | Lead vocals | Length |
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1. | 'Hello Susie' | Roy Wood | 4:55 |
2. | 'Beautiful Daughter' | Carl Wayne | 2:36 |
3. | 'Cherry Blossom Clinic Revisited' | Wayne with Wood, spoken word by Bev Bevan | 7:40 |
Total length: | 15:11 |
No. | Title | Writer(s) | Lead vocals | Length |
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4. | 'Fields of People' (Originally by Ars Nova) | Wayne | 10:09 | |
5. | 'Don't Make My Baby Blue' (Originally by Frankie Laine) | Wayne | 6:18 | |
6. | 'The Last Thing on My Mind' (Originally by Tom Paxton) | Tom Paxton | Wayne, Wood and Rick Price | 7:35 |
Total length: | 24:02 |
No. | Title | Writer(s) | Lead vocals | Length |
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1. | 'This Time Tomorrow' | Dave Morgan | Price | 3:40 |
2. | 'A Certain Something' | Morgan | Wayne | 3:45 |
3. | 'Curly' (Alternate mix) | Wood and Wayne | 2:54 | |
4. | 'Wild Tiger Woman' (Stereo mix) | Wayne, Wood and Trevor Burton | 2:55 | |
5. | 'Omnibus' (Full-length version) | Wayne and Wood | 4:11 | |
6. | 'That Certain Something' (Demo version) | Morgan | Wayne | 3:58 |
7. | 'This Time Tomorrow' (Demo version) | Morgan | Price | 2:36 |
8. | 'Blackberry Way' (Alternate mix) | Wayne | 3:38 | |
Total length: | 27:37 |
Personnel[edit]
- Roy Wood - lead vocals, guitars; keyboards.
- Bev Bevan - drums, percussion.
- Carl Wayne - lead vocals; guitars.
- Rick Price - vocals, bass.
- Trevor Burton - bass (prior to leaving the band, which tracks unknown)
- Tony Visconti - bass on 'Beautiful Daughter'
Is memory clean safe for mac. 'Beautiful Daughter' features an uncredited string quartet.
References[edit]
- ^Huey, Steve. 'Shazam - The Move'. AllMusic. Retrieved 30 December 2012.CS1 maint: discouraged parameter (link)
- ^Christgau, Robert (1981). 'Consumer Guide '70s: M'. Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN089919026X. Retrieved March 8, 2019 – via robertchristgau.com.CS1 maint: discouraged parameter (link)
- ^Christgau, Robert (July 30, 1970). 'Consumer Guide (12)'. The Village Voice. New York. Retrieved April 14, 2013.CS1 maint: discouraged parameter (link)
- ^Mendelsohn, John (May 14, 1970). 'The Move: Shazam'. Rolling Stone. Retrieved August 18, 2018.CS1 maint: discouraged parameter (link)
- ^Erlewine, Stephen Thomas. 'Shazam - The Move'. Allmusic. Retrieved April 14, 2013.CS1 maint: discouraged parameter (link)
Shazam Artist
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